This book engages in a broad reading of the period’s rich trove of funeral elegies, in both manuscript and print, and by poets ranging from the canonical to the anonymous.
This book, the first major study on the Renaissance English epigram since 1947, combines a deep awareness of the genre's history and conventions with a historicist consideration of their social, political and religious contexts.
This book, the first major study on the Renaissance English epigram since 1947, combines a deep awareness of the genre's history and conventions with a historicist consideration of their social, political and religious contexts.